SHURE KSM27 Cardioid Capacitor Microphone – Use

$300.00 $300.00.

Out of stock

Out of stock

Description

Shure KSM27 Cardioid Capacitor Microphone – Use

GENERAL DESCRIPTION
The Shure KSM27 is a side-address condenser microphone with a cardioid polar
pattern. Designed for studio use but rugged enough for live applications, the KSM27
has an externally biased 1-inch diaphrag
m, extremely low self-noise, and an extend-
ed frequency response specially tailored for vocal tracking and instrument recording.

FEATURES
•   Cardioid  polar  pattern  –  the  most  commonly  used  pattern  for  both  studio  and  live applications
•   1 inch, externally biased, ultra-thin, 2.5 m, 24 Karat gold-layered, low mass, Mylar® diaphragm provides superior transient response
•   Class  A,  discrete,  transformerless  preamplifier  for  transparency,  extremely  fast transient  response  and  no  crossover  distortion,  while  minimizing  harmonic  and intermodulation distortions
•   Premium electronic components and gold-plated internal and external connectors
•   Subsonic filter eliminates rumble from mechanical vibration below 17 Hz
•   Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
•   3-position switchable low-frequency filter helps reduce unwanted background noise or counteract proximity effect
•   Integrated  three-stage  “pop”  protection  grille  reduces  plosives  and  other  breath noise
•   Internal shock mount reduces handling and stand noise

PERFORMANCE CHARACTERISTICS
•   Extended frequency response
•Low self noise
•   Exceptional low-frequency reproduction
•   High output level
•   High input SPL capability
•   No crossover distortion
•   Extremely uniform polar response
•   Superior common mode rejection and suppression of radio frequency
interference

APPLICATIONS
The KSM27 produces superior results in any application requiring a high quality mi-
crophone. Typical applications include:
•   Voice and vocals
•   Close-miking  of  acoustic  instruments  such  as  piano,  guitar,  violins,  drums,  and
percussion
•   Electric guitar amplifiers
•   Brass and woodwind instruments
•   Low-frequency instruments such as double bass and kick drum
•   Overhead miking for drums or percussion
•   Orchestras, choirs, wind ensembles
•   Room ambience pick-up (guitar amplifier or drums)

NOTE:
Sound quality is strongly affected by microphone location and room acous-
tics. To acheive the best overall sound for
a particular application, it may be neces-
sary to experiment with microphone plac
ement and various room treatments.

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